Showing posts with label metals in art. Show all posts
Showing posts with label metals in art. Show all posts

Thursday, October 3, 2013

Metalsmiths Unite Artist Spotlight- Mario Cesari


Metalsmiths Unite is a large group of artists from around the world- Today we get to visit Pennabilli Italy, home to the Mario Cesari, metalsmithing artist. As an artist, Mario is fortunate to call Italy home from which  he has been able to do a good bit of traveling and learning diverse techniques in their original origins.  The following is my recent interview with Mario- Enjoy!







 

MBZ: How would you describe what you do as an artist?

Mario Cesari: I make objects that I like, mostly in metal, I research, I teach.
 "Whoever does not love his work cannot hope that it will please others"-anon.

MBZ: what inspires your designs? 

Mario Cesari: Venezia (Venice) is my home town. Byzantine decoration filled my eyes since I was young.
 Later I was conquered by Japanese art, admiring it in the Oriental Art Museum of Venezia.
 Finally when I was in London I discovered Celtic metalwork. 

Presently the rationale of nature plays a large part in my creations, I live in the country and love macro photography. 
Things made by fellow craftsmen are often a great source of inspiration. 
When I create a new object, be it pen, knife, box, ring etc., I make a few versions of it till I'm satisfied, technically and aesthetically, I rely on some kind of serendipity, until it is finished you can't judge it. How many sketches or pages painters and musicians had to make before their final versions? (Adams Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep)




Mario and friends in Nepal
MBZ: how long have you been involved in this type of making? (how did you start?)

Mario Cesari: When I was younger I was a radio officer as well as my brother. Once he disembarked from a ship going to decommissioning, bringing home an antenna, made of strands of copper wire. Having no better use for it, he started to make rings, bracelets and necklaces, then he silver plated them and sold them on the streets. I helped him and was hooked to metalwork, I attended a free class on copper engraving and printing, taught myself raising and sinking and the most common bench techniques.


Feeling the need to learn the various techniques in their place of origin, I traveled a lot coupling work and study: in London, I registered with the Goldsmiths' Hall, and learned blacksmithing, repoussée and chasing; in Kathmandu, invited by a nepalese silversmith, I learned small-scale sand casting and other traditional Nepalese techniques. I studied granulation and other ancient Etruscan techniques in Tuscany Forty years later I'm still learning: I learned Kum-boo from one of my students. (Ford : "Anyone who stops learning is old, whether at twenty or eighty." )


beautiful Pennabilli Italy
MBZ: where are you located?
Mario Cesari: In the early eighties I went to live in Pennabilli (http://www.pennabilli.org/dove-en.html), in central Italy, a village in the hills of the Mareccchia river valley, surrounded by woods near Monte Carpegna. The zone is rich of historical buildings, dating back to roman and medieval time. In Pennabilli there's a very important museum on the history of numbers (www.mateureka.it).


MBZ: do you have a website or etsy/artfire/etc store?
Mario Cesari: 


About 10 years ago I learned html and made my site www.pennabilli.org .

I sell in Etsy, http://www.etsy.com/shop/pennabilli
and Boticca, http://boticca.com/pennabilli/ 

I also have a blog  in Ganoksin, http://ganoksin/blog/pennabilli 
tutorials in Picasa web albums, https://picasaweb.google.com/pennabilli
and a FB page Mario Cesari's Page

MBZ: what other ways do you market your work?

Mario Cesari: I participate in fairs and markets in my zone, half a dozen times a year. I sell to private customers, sometimes to participants in my classes



MBZ:  ah, so you teach? where can one find a class with you?
Mario Cesari: I teach in my studio (here's a list of classes on my website) which is small so I can have one or two students at a time. Usually they come for a short class, a couple of days exploring some technique. Now and then I teach classes in private schools.



MBZ: You have so many diverse experiences! Do you have any sage advice for newcomers that you would like to share?
Mario Cesari-
Yes! Three sage advices:
- Art and craft are two different realms (http://www.pennabilli.org/testi/Koplos_EN.htm), neither one is superior to the other; there is bad art and there is good craftsmanship.
An artisan must know well tool, technique and material. (Chesterton The artistic temperament is a disease that affects amateurs). 
I hope that you enjoy creating things new, leaving the mark of the tools and of your imagination on your pieces. 

Don't think you need the latest tool or product, (good one Mario! -MBZ) have only what is necessary; make yourself simple tools, modify to your needs the worn out or cheap ones.
-
If you have patience, read this page by Octavio Paz (Octavio Paz essay), it is inspiring.





MBZ: where do you envision your work going in the next year? (artistic direction)

Mario Cesari- I will hopefully finish writing a book on cuttlefish bone casting (and find a publisher), I will pass to a CMS for my site, must organize and put online a lot of content that's almost ready and waiting
! There will certainly be a project that will engage me, don't know yet which. In the past years the important projects that I carried on have always been unexpected commissions: making fibulas, knives, calla shaped jewels, buckles, a cross for a bishop... asked for different techniques, forging, forming, chasing, cuttlefish bone casting.

   

 

MBZ: Thanks so much for this interview Mario- it's been good to get to know you a little more through these answers! Before we sign off, is there anything else you would like to share? 

(Gaudi Originalidad es volver al origen). The state of the art cannot be shared, you have to practice yourself. I can't stop exploring cuttlefish bone casting and forging. The former gives you  a variety of textures, and design possibilities; the latter is the fastest way to make objects and has a charm of its own. 





We will look forward to seeing the fruits of your experimentation in the future! Thanks again for your patience with me (MBZ- I took a really long time getting this together- so sorry) And thank you for sharing yourself with the Metalsmiths Unite community (and beyond)
Ciao! or, as Mario says, "Chow" -

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Thanks everyone who reads these interviews- we look forward to reading your comments!

As always, MU members are always welcome to be interviewed on this blog! The post will stay up for at least a week and we will add your website to our list of links. Anyone interested in this should contact me, Maureen BZ via Facebook messenger, or by email at MBZmetals@gmail.com

Please take some time today to read through some of our other blog posts- there are interviews with many of our fellow MU members, technical articles about metalsmithing, and some general metalsmith related posts.
Also- be sure to check out our pages (in the tabs at the top of this page)! Where you can find our mission statement, the rules that we follow in the group, and a request for donations, which help keep this organization alive and running ASAP (as smoothly as possible)
thanks!

Maureen

Monday, July 15, 2013

Artist spotlight- Joe Diemer


Hi there Metalsmiths Unite fans and friends-Today on the MU blog I'd like to introduce you to Metalsmiths Unite member Joe Diemer........


1. MBZ-How would you describe what you do as an artist?
Joe Diemer-My training is in illustration and metalsmithing, but my business is centered around stainless steel wire-working. I make objects for the home such as birdcages, spice racks, and coat hooks, and a few things for the body such as hair ornaments and bracelets.
Conceptually, I want my art to be uplifting to the spirit, so to that end I'm working to revive the devices of pre-moderist art, such as complex ornament. Much of recent design history is about mass, and removing "superficialities". I'm turning this thinking inside out by making the ornament itself the structure and removing the mass.

2. MBZ-what inspires your designs?
Joe Diemer-Radiolarians, Islamic tile, Louis Sullivan, Alphonse Mucha - anywhere I can find graceful geometry and harmony.
I sketch shapes and patterns that resonate with me and then I rearrange them, trying to find newer and more complex designs that feel right. Then I move from paper to wire and "extrude" those designs three dimensionally (on the z axis) until they have a real force of their own. So, much of the inspiration happens during the process.

3. MBZ-how long have you been involved in this type of making?
Joe Diemer-I've always liked to draw and paint and in college I studied illustration, but I come from a family of builders - my dad's side were carpenters and my mom's side were glassworkers from Italy. So as a boy I had plenty of workshops to tinker in. I made my first cages for my older sister who was always bringing new animals home. Having familiarity with finishing carpentry is helpful for making the jigs; they are often more complex than the finished products.

4. MBZ-where are you located?
Joe Diemer-Portland, Oregon. My workshop is in the Eastside Industrial District next to a 100-year-old plating business and several custom bike builders, so there is plenty of metalwork to see here.

5. MBZ-do you have a website?
Joe Diemer-I do have a website (www.handmadebirdcages.com) but the facebook page (www.facebook.com/JDiemerArtisanry) is more fun because I occasionally do giveaways and I like the interaction. I'm also on Instagram as joediemer but that feed is a much less formal view of the world than my other sites (i.e. it also includes non-metalworking.)

6. MBZ-what other ways do you market your work?
Joe Diemer- I do the Chicago One of a Kind show. I may do the next Buyer's Market show. If anyone has suggestions for a show that would be a good fit for my style please let me know.
I'm in three galleries in Portland and I do a lot of commissions.

MBZ- Joe also won a Niche award this year! http://www.nicheawards.com/category/2013/professional/home-furnishings-proffesionals/decorative-accessories-home-furnishings-proffesionals/

7. MBZ-do you teach? if so, where-
Joe Diemer- Not really - I've still got a lot to learn! But I have done a few lectures and demos on specific subjects like brazing and electropolishing and I make sourcing handouts to help local artists. I'm completely open with my techniques and artists regularly pop in my studio to experiment - so swing by if you find yourself in Portland Oregon



8. MBZ-any sage advice for newcomers that you would like to share?
Joe Diemer- Yes, here are a few things that probably don't get said enough to newbies:
- Be nice to everyone, no matter who they are, but have thick skin if your art is in public.
- Beware of titles and pedantry (and those who overuse them). These things may open some doors in the short term but kill creativity.
- Meditate, or regularly make mental space to think quietly, deeply, and sometimes very specifically about your work. The best muses often have soft voices.
- Write handwritten cards to your galleries or collectors (preferably when you're in a good mood).
- Risk looking stupid. Curiosity is more important than honor. There's something to learn from everyone, and don't be shy about approaching very important people.
- Experience all of the arts. They inspire each other.

9. MBZ- where do you envision your work going in the next year?
Joe Diemer- I've been awarded an artists residency in southern Bohemia for October and November, so I plan to paint while there and then make the blueprints for the next body of work. I'm pretty amped to explore in person what I've only read about and I'm looking forward to seeing how it changes me. Right now I'm making informal 2D work for the upcoming Kickstarter rewards to fund this trip, and it's been a super fun departure from normal.

10. MBZ-anything else you would like to share?
Joe Diemer- Why yes there is - I leave a permanent invitation for all here to honestly comment and make recommendations on my work and my concepts. You are welcome to say exactly what you feel. I realize that MU is mostly jewelers, but please don't let that difference stop your opinions - I appreciate their keen eye. Jewelry was one of the places where decorative ornament was able to "hide out" when it wasn't welcome in architecture etc. so I highly value the opinions. Thanks for the interview!


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Joe- thank you for sharing your stunning works with us, I look forward to seeing more in the future!
I hope you all enjoyed this interview everyone! Stay tuned, I post a new one every once in a blue moon, when I have a willing subject and a few open hours. :-)
ciao for now- may the flux be with you! - Maureen BZ