Showing posts with label fine jewelry. Show all posts
Showing posts with label fine jewelry. Show all posts

Monday, June 17, 2013

Calla Gold (yes that's her real name!)

Hi there Metalsmiths Unite friends! I had a free moment this morning so I thought that I would revive our interviews on our blog...
Today I thought it would be great to introduce you to my friend Calla Gold... A lovely jewelery designer that I have had the privilege to meet a few years ago, at the Tucson gem show.




MBZ: How would you describe what you do as an artist?
CALLA GOLD:I am a designer of jewelry. Looking at my client’s body type, face shape, lifestyle, personality and the feeling they want to exude with their jewelry choices I put together a piece of jewelry they’ll love that they feel they have been part of designing. I believe there is a jewelry designer in each of us. I put my ego in a box and try to let it be as much about them as I can. I do a lot of listening as a designer. 





MBZ:what inspires your designs? (be it music, nature, beekeeping...)
CALLA GOLD:I love the jewelry I design to have a feel of kinetic motion and for a ring, to make her hand look good.  I am inspired by tree branches and clouds and swirly oil smears and water and old crinkly leaves. Other wonderful designers have given me aha moments with their sheer audacity. I’m like a kid sometimes, oohing and ahhing and needing to be cattle-prodded to move on as I fixate on some speck of beauty.



MBZ: how long have you been involved in this type of making? (how did you start?) I was a door to door salesperson for Fuller Brush. The first woman Fuller Brush Man west of the Mississippi or so I was told. Taking my sales skills and a dream I started Calla Gold Jewelry after apprenticing with a no-store jewelry sales gal. I was just selling, then some repairs, then drawing on napkins and designing jewelry. I never lost sight of the fact that I needed to sell stuff, so the design grew slowly as I focused on selling. I nurtured the flame that I could design jewelry and after years of sales made that a larger part of my income stream. 



MBZ: where are you located?
Calla Gold:I am in Santa Barbara California. It’s on the Pacific Coast in a ridiculously pretty setting between the mountains and the sea. We have a Spanish architectural motif that permeates our downtown. When you drive around the ritzy areas and there are a lot of them, the landscaping is beautiful. I’ll walk the hill neighborhoods marveling at penis like flower sheaths, and smoky, velvety big stinky petals of some exotic plant and marvel at a carpet of different leveled plantings grey, green and droopy, staggered by the vision, the beauty and the no doubt stupidly expensive bill of the visionary landscape architect. I am inspired.

MBZ:  do you have a website?
Calla Gold: I have a website with a gallery that shows the different styles I can design in: http://www.callagold.com
I am active in social media, posting three times a week on my Facebook business page: http://www.facebook.com/callagoldjewelry
I am a mad crazy jewelry blogger, posting weekly to explain things to jewelry lovers, opine about jewelry trends, explain why some men never buy their wives jewelry, and show things to brides to be like “The Sixteen Steps of Jewelry Design” and liked that: http://www.callagold.com/blog
Oh wishful thinking that I had some way to sell my jewelry online like an e-commerce site. I think it will happen, but I haven’t made it happen yet.

MBZ: what other ways do you market your work?(shows, galleries, brick + mortar stores)
I often have a table at a Wedding Showcase. Those are good for me since I custom make a lot of wedding and engagement rings.
Business trade shows for women’s groups are something I go to. I do the whole dress up like a business lady and wear reasonably well behaved jewelry that I’ve designed and go to mixers, networking meetings and promote the fact that I do repairs and custom work.  Once I’ve done their repairs and established myself as no slouch in the care of their jewels out comes the inherited and unworn, the old boyfriend jewelry and the re-purposing and re-designing begins. I start small and come on strong in the end.
I do not have a store. Coming from a door to door background I felt more comfortable visiting clients in their comfort zone. Many of my old Fuller Brush clients became jewelry clients. Many of my cleaning business clients became jewelry clients.
I love not having a store. But it means I do upwards of five hours of calling a week to stay in touch and follow up on the ladies I’ve met at the meetings to get the appointment.9 I do appointments all day long 4 days a week.) One day in the workshop and one day blogging, writing bids and doing a mountain of paperwork. I love it all!



MBZ: do you teach? if so, where-
Calla Gold: I do private one-on-one jewelry business and small business consulting. I do a lot of over the phone consulting. I also teach at Women’s Economic Ventures in Santa Barbara in their Sales segment of their multi week entrepreneurial training.
I occasionally speak at local business groups and have spoken in Las Vegas and at the MJSA EXPO in New York.
Running my SMART group is I guess a form of teaching. Social Media Action Relationship Tactics is what the acronym is for. For about two or three years I’ve run this group, where we share ideas on social media actions and co-market for each other online. I started it when my new website went up and I started blogging so I could drive people to my site.

MBZ: any sage advice for newcomers that you would like to share?
Calla: If you can’t afford a website yet, a Facebook business page is essentially a free website where you can showcase your work and drive interested people to.
*Your job is to sell stuff to make a living and pay the bills. If you have to sell other people’s stuff to get that done, do it, if you are making a living you have the opportunity to hone and improve your craft and have the time to find where your clients are and  what they want from you.
*See what people like best about your work and focus some of your new output on that, even if it’s not your vision. Not a cat person? Everyone buys the few cat things you make? Make more cats, you can do the bats later! If you’re making a living you’ll be able to keep being creative and find your ideal clients who want bats.

MBZ:where do you envision your work going in the next year?
More cool hand engraved and pierced through designs. It’d be great to have more creative clients pushing me in new directions.
In a perfect world I get some e-commerce thing going.




MBZ: anything else you would like to share?
Calla: I’m having fun sharing on Pinterest. I show my stuff and stuff I like: http://pinterest.com/callagold/
A passion of mine is to get people excited about jewelry again including their own unworn pieces. When they don’t have old dogs in the jewelry box anymore they start feeling more creative and ready for the new stuff and new styles. Here’s a video where I explain what I like to do: http://youtu.be/dnlSsztsF8A
I’m sharing the reason’s men don’t buy jewelry for women blog post. I love it, it makes me laugh and makes my clients laugh: http://www.callagold.com/santa-barbara-jeweler/my-husband-never-buys-me-jewelry%E2%80%9D-the-fifteen-reasons-men-don%E2%80%99t-buy-jewelry-for-women/

LOL, that's great Calla! thanks for submitting yourself to an interview!
I hope you all enjoyed this interview and get inspired to go out and make something beautiful today!
May the flux be with you----
ciao-  Maureen BZ

Tuesday, July 26, 2011

Sophia Georgiopoulou – Artist Interview

Hello, and welcome! We have another artist interview this week, with the lovely Sophia Georgiopoulou. Please have a read! thanks so much for sharing today with us Sophia!


How would you describe what you do as an artist?
I am a goldsmith who makes precious adornments in gold, silver, pearls and gemstones. I am fascinated by the way metal, especially gold, transforms itself through the use of traditional fabrication techniques and the skills of the goldsmith into an object of art, delight and beauty.
Incrementi Brooch ©Sophia Georgiopoulou

What inspires your designs?
My designs are primarily inspired by the Roman, Hellenistic and Byzantine past of the Near East, adapted to a more modern aesthetic. Since my classicist education has always drawn me to the ornate, intricately wrought gold jewelry that prevailed for centuries in the Mediterranean basin and the Near East, my work focuses on a reinterpretation of these timeless forms. My work seeks to create a bridge between the beauty of the ancient cultural heritage in this area of the world and modern life.

Occasionally, I will be haunted by a shape from the world of nature, a found object, a play of light or a word that will need to be transformed and expressed into a piece of jewelry. Sometimes I do a detailed drawing of the piece I want to fabricate, at others I take the gemstone or pearl and build around it.
Alexandria Gold Earrings ©Sophia Georgiopoulou

Leaf Gold Earrings ©Sophia Georgiopoulou

How long have you been involved in this type of making?
Until 2004, “making” jewelry (assembling elements together) was just one of my hobbies together with painting, drawing and embroidering. In 2004, I decided that I needed to learn how to fabricate clasps because the ready-made ones I used in my creations were not very interesting. In October 2004, I took my first metals class and I have never looked back. I became attracted to fabrication straight from the raw materials and I am still trying to hone my skills in that area. I left my job as a college professor and apprenticed for five years next to a wonderful goldsmith, teacher and mentor. In November 2010, I opened my website: www.kosmimata.com
Amaseia Flower Ring ©Sophia Georgiopoulou

Where are you located?
I live in Athens, Greece, surrounded by monuments that are the remnants of the great civilizations of the Mediterranean basin. The city is full of museums that contain wonderful treasures of sculpture, painting, metal, jewelry, pottery, glass and fabrics. The monuments and the treasures in the museums are marvelous sources of inspiration for every artist, and especially a goldsmith.
In November 2011, I will relocate permanently to Seattle, Washington.
Constantinople Rings ©Sophia Georgiopoulou

Do you have a website or etsy store?
Yes, I do!
Kosmimata Website: http://www.kosmimata.com
Etsy Shop: http://www.kosmimata.etsy.com
Nicaea Gold and Silver Star Brooches ©Sophia Georgiopoulou

What other ways do you market your work?
Currently I only sell online and by commission.
Raised Cross Earrings ©Sophia Georgiopoulou

Do you teach? 

I do not teach yet, although in my past career as a college professor I taught for 18 consecutive years right after graduate school. Perhaps in the future, when I have mastered the techniques I am interested in exploring, I will consider it. I think imparting traditional skills to the younger generations of goldsmiths is as important as fashioning an integral body of work that reflects one’s vision of adornment.
Scimitar Pearl Earrings ©Sophia Georgiopoulou
Scimitar Pearl Pendant ©Sophia Georgiopoulou

Any sage advice for newcomers that you would like to share?
It would be beneficial for newcomers in the field to envision themselves as links in the chain of the jewelry-making tradition. If they are about to reshape tradition in the name of innovation, they should be well-versed in the very thing they will be reshaping. The constant refinement of their traditional jewelry skills, the development of their creative impulses,  the shunning of the lures of the innovation-for-the-sake-of-innovation muse and the formulation of their individual artistic voices should be the focus of their endeavors early on.

Jewelry made with knowledge, skill and imagination is not only an inextricable part of the artist who creates it; it is also a small, strong link in the chain of the jewelry-making tradition. This chain links the individual work to both time past and  time future and strongly defines it; at the same time, through the work’s differences/similarities to the other links in the chain, its artistic autonomy is enhanced.
Calyx II Ring ©Sophia Georgiopoulou

Where do you envision your work going in the next year?
I believe that jewelry, even in the commercialized production world of today, is best made by the human hand without the interference of elaborate technological aids. The simple tool of the jeweler on the metal and the deep knowledge of the traditional, timeless jewelry techniques are capable of creating pieces of unparalleled beauty that last through the ages.

In the next year, I want to complete the two collections I am currently working on;  they will represent my explorations in metal and the technique of granulation.
Florilegium Brooch ©Sophia Georgiopoulou

Anything Else you'd like to share?
yes - New work by Kosmimata can be found online at:

Website: http://www.kosmimata.com
Etsy Shop: http://www.kosmimata.etsy.com

Twitter: http://twitter.com/#!/SGeorgiopoulou
Flickr: http://www.flickr.com/photos/kosmimata/
Crafthaus: http://crafthaus.ning.com/profile/SophiaGeorgiopoulou
Facebook: http://www.facebook.com/pages/Kosmimata-by-Sophia-Georgiopoulou
Byzantine Rosette Brooch ©Sophia Georgiopoulou
Byzantine Rosette Brooch ©Sophia Georgiopoulou

Monday, January 18, 2010

New Flickr pool!

Another one of those things on the "Why haven't I done this before?!" list...
Metalsmiths Unite now has a Flickr Group for photosharing.



 I will be keeping it a closed group for members of Metalsmiths Unite only-
(so please put your name in the group entry request.)

I've set the limit of images at 4 per week- and we'll see how that goes...
if the group page needs adjustments it will happen- but for now I just want to keep it simple
In the future I can envision events like "self portrait day" or "messy bench contest"...for now, let's just free form and put up some pics! (they need not always be metal either- if it is an image that inspires you go right ahead and post that too)

here is the link-
http://www.flickr.com/groups/1311938@N20/

Have fun- please remember to put your name on the membership request!
thanks- Maureen

Wednesday, December 9, 2009

James Miller- London Goldsmith extraordinaire


Today I have the pleasure of posting this interview with James Miller- He is a master of piercing and hand craftsmanship-  Museum quality craftsmanship ! The images of his work speak for themselves.
 


 
James Miller FIPG ( Fellow of the Institute of Professional Goldsmiths).

How would you describe what you do as an artist?
I am a traditionally trained bench working goldsmith, I served an official Goldsmith's Hall, indentured apprenticeship at a major London Goldsmiths and Silversmiths company in London, England. The term of my probationary period and apprenticeship lasted nearly six years and finished on my 21st birthday.

what inspires your designs?
The style of Karl Faberge and the Art nouveau period.

how long have you been involved in this type of making?
Including my apprenticeship a total of 48 years.

where are you located?
London, England.

do you have a website ?
No website, my work has mainly been sold through Asprey, Garrard and Kutchinsky, both in London and New York.

what other ways do you market your work?
Most of my work has been commissions from designs, by myself and others.

do you teach? if so, where-
I do not teach, in the UK teachers need qualifications from a recognised college. I have never attended a college as I learned my trade from the workshop.

any advice for newcomers that you would like to share?
Learn and perfect the basics such as engraving, saw piercing, filing and hammering. All else will follow naturally.

where do you envision your work going in the next year? (artistic or business direction)
I am close to retirement at the age of 63. I have compiled a book of my unique items of manufacture, which has now been published and available worldwide on Amazon. It is titled "The Work of a Master Goldsmith;A Unique Collection" .

anything else you would like to share? (favorite techniques? any good jokes? you can even put your flickr/twitter/blog links here too)
I enjoy sharing any information that may be useful to learners in my trade, mainly on the Ganoksin Orchid forum.


Thanks Jim for contributing your interview- It's great to be able to get to know you and your work through Metalsmiths Unite!, Ganoksin and Facebook
ciao-Maureen BZ

Wednesday, November 25, 2009

you might be a metalsmith if....

this is from a post I had on my profile a couple of days ago....
feel free to chime in your answers in the comments section! 





You may be a Metalsmith if..........


Maureen Brusa Zappellini
you kind of like the smell of liver of sulfur
Carolyn Shepard Miller
you have dreams of flaring out a spinner ring
you picture your lungs and brain coated with silver and gold
Maureen Brusa Zappellini
the nastier your fingers look the happier you are (cause it means you have had bench time)
Carolyn Shepard Miller
a little bit of drill dust is mighty tasty on the sammich!
Beverly Gloyd
you could envision spending every penny on tools and metal!
Pam Chott
You have a drill "tattoo" on at least one finger.
Your husband (or wife) suspects you're having an affair with your bench.
You'd rather shop for stones than clothes.
Shannon Conrad
The smell of machine oil is a turn on.
You can't remember what your hands looked like with fingernails.
You've ever said, "Just one more {fill in the blank} and I'll be done for the day."
Erkki Kokko
...if you #%@&¤#@% like a pirate, when you break the sawblade just when you are almost there, on the end of piercing...
Bill Roberts
lol.... if a lady with a hammer turns you on.. ;)
Erkki Kokko
...the scrapyards dog won't bark at YOU!
Maureen Brusa Zappellini
you have a difficult time putting a negative connotation on the word "tool"
Tamra Gentry
you'll sell a kidney for the perfect stone.
Maureen Brusa Zappellini
or...you'd set your kidney stones! lol

Daniel Spirer
you ask your wife to send your body to the refiner when you die...
because you know there's some value in there.

Victoria Lansford
If when you have money you by metal and stones and if there is any leftover you buy food and clothes.

any more? :-)

happy thanksgiving!- MBZ


Monday, November 23, 2009

Michael David Sturlin- AZ treasure






Metalsmiths Unite
Blog Interview with Michael David Sturlin 11/17/2009


How would you describe what you do as an artist?
I'm a goldsmith and studio jewelry artist. I work with precious metals and gemstones.







what inspires your designs?
Minimalism, practicality, functionality. My design aesthetic tends towards simplicity.
My basic inspiration comes from combining skill with tool and fluency with material.

how long have you been involved in this type of making? (how did you start?)
Nearly 40 years, professionally for 35 years, I started making jewelry in 1970.

where are you located?( email if you want to share, or city/town that you live in)
I have a private studio in Scottsdale Arizona. My email address is michaelsturlinstudio@cox.net

do you have a website or etsy/artfire/1000market etc store? (list url here)
http://www.goldcrochet.com
http://www.michaeldavidsturlin.com
http://michaelsturlinstudio.ganoksin.com/blogs/
http://www.facebook.com/MichaelSturlinStudio

what other ways do you market your work?(shows, galleries, brick and mortar stores)
My jewelry is represented in galleries. I don't currently sell work online.

do you teach? if so, where-
I'm a faculty member at the Revere Academy of Jewelry Arts in San Francisco http://www.revereacademy.com
At this point in my career I am devoting the majority of my time to teaching. I work with students at all levels from beginners to accomplished professionals.
I also offer private instruction and group workshops in my studio and I teach extensively as a visiting guest artist.

any sage advice for newcomers that you would like to share?
Focus on skill development. Start by working with simple tools and traditional techniques. This is the most useful foundation for building the vocabulary to produce work which will bring forth a recognizable style and develop into an artistic identity. Skill comes first, then, as fluency increases, individuality in expression follows.

where do you envision your work going in the next year? (artistic direction)
I will be teaching more advanced intensive workshops and longer programs at fewer venues. This will provide the opportunity to work with the participants at a deeper level.

anything else you would like to share?
Wherever a person works, it is important to think of that space as a studio. Whether it is just a kitchen table with a couple tools, a closet, a corner in a basement, or a well furnished room, the attitude and perspective of the practitioner is more important than the physicality of the environment. Thinking of the work area as a studio sets the right frame of mind and cultivates the intention to produce good work, regardless of how limited the facilities might be.

 *********************************************************************************
Many thanks to Michael David Sturlin for taking the time to give us a glimpse into his work and teachings- It has been a real pleasure to get to know him through Metalsmiths Unite and our mutual Arizona connections- I look forward to many more opportunities to converse and hope to see him here in Tucson during the Gem show! 
Ciao----MBZ