Summertime Metalsmithing Workshops!

It’s almost summertime, and a metalsmiths thoughts turn towards education in an artistic atmosphere. A perfect place would be at one of the many summer workshops. Not only do you learn in a beautiful and creative environment, some studios are open 24 hrs a day, seven days a week. And you might not have to cook. The only thing you have to do is practice your craft while you soak up all of that artistic energy around you.

Take a break from the hustle and bustle of everyday life and join a workshop this summer. The time spent at a workshop can be as short as one day or as long as a couple of weeks, or even longer if your lucky enough to be able to get into a residency program.
It’s a great way to take a vacation, learn, and practice your passion.
Take a look at this list of summer workshops and pick one close to you, or somewhere you would like to visit.

Turn your work on it's head this summer by attending a Workshop!

(Photo taken in the Metals studio at Haystack- MBZ 2009)

The list not only has workshops in the U.S., there are a few international workshops as well on the list that is on the website at the very bottom of this list.

Metalsmithing Workshops

http://penland.org/classes/summer/summer_metals.html :Penland School of Crafts.Penland,N.C.

http://www.haystack-mtn.org/- Haystack Mountain school of crafts- on Deer Isle Maine. (note: I've been there twice, and loved every second of it- MBZ)

http://www.ox-bow.org/courses/core/summer/desc/sculpture.html#s-1-Ox-Bow- Ox-Bow Arts,Saugatuk,Mich.

http://www.coloradoschoolofjewelryandmetalarts.com/Class_Schedule.html-Colrado -School of Jewelry and Metal Arts, Colorado


http://www.arrowmont.org/ - Arrowmont school of Arts and Crafts in Gatlinburg Tenn.

http://www.prlog.org/10611132-springsummer-quarter-of-metalsmith-and-jewelry-classes-begin-at-whaley-studios.html_Whaley Studios,San diego

http://www.dellaterrastudios.com/repousseclasses.htm -Chandler, Arizona

http://www.midwest-metalsmiths.org/workshops.html – midwest metalsmiths,St. Paul,MO.

http://www.jewelersacademy.com/index.htm – Portland,Or.



If you are looking for more- check out the Metalcyberspace site- you will find comprehensive lists of metals resources and workshops! (thanks to the hard work and dedication of Susan Sarantos)

http://www.metalcyberspace.com/schools.htm - and a long list of metals/jewelry degree programs all over the world.

http://www.metalcyberspace.com/workshop.htm - A long list of jewelry/metals workshops in the U.S.and beyond.


A big Thank you goes out to Ralph Paruszkiewicz for doing the research and writing this week's blog post! Just a reminder- if you have an idea for a blog article for Metalsmiths Unite please contact me via Facebook messaging- I'd love to have more contributors!
Have a great weekend everyone
may the flux be with you- Maureen BZ

Beth Wicker

Here's an interview with Metalsmiths Unite member, Beth Wicker -

How would you describe what you do as an artist? Currently my main focus is as a metalsmith. I work primarily in silver, with some copper, brass, and gold. I use gemstones, pearls, found objects, and interesting beads I find on my travels. I create primarily jewelry designed to be worn. I also make hand made paper, do fiber art, printmaking, a bit of sculpture, draw and paint.

what inspires your designs?  I have always been interested in pattern, texture and color - no matter what media I am working in. Much of my inspiration comes from the world around me - I am an avid gardener and traveler, and store images in my head and sketchbook.

how long have you been involved in this type of making? (how did you start?) I have been in involved in one form of art or another all my life. I started making jewelry as a child, probably about 10, getting purchased components from the local hobby shop. I moved into other media, and got a BA in art from Meredith College in Raleigh, NC. Then I took graduate courses in art at UNC-Chapel Hill, NC, did a year of graduate work in printmaking at Cranbrook Academy of Art in Bloomfield Hills, MI, then finished my MFA in printmaking at USC-Columbia, SC. Then when my daughter was about 10 she asked me to show her how to make jewelry, and that started me back into metals - and took me way farther into that than I had ever done as a child. So I have been a practicing artist for over 30 years, and a metalsmith for about 10 this time around. 

where are you located?

 I live in the country outside of Cheraw, SC in the US. Cheraw has less than 6,500 people, and the entire county (Chesterfield County) has less than 30,000, so a very rural area. I live on a farm with Santa Gertrudis cattle, pine trees, and we planted a stand of hardwoods a few years ago. Cheraw was founded in the 1700's, and had battles fought here in both the Revolutionary War and the Civil War, and still has many of the old historic homes and churches.

do you have a website or etsy/artfire/1000market etc store? http://www.bethwicker.com - website
http://www.bethwicker.etsy.com
http://bethwicker.ganoksin.com/blogs/
http://twitter.com/bethwicker
http://www.facebook.com/ThreeCatsandaDog

what other ways do you market your work?(shows, galleries, brick + mortar stores)
I have work in galleries and gift shops throughout SC, including the Drayton Hall Museum Store outside of Charleston, SC, and in Ohio. I also do craft and art shows in the South.

do you teach? if so, where-  www.bethwicker.com
I teach at my workshop/gallery space, which is across the pond from my house outside of Cheraw, SC on our farm. It is a delightful small building that my in-laws built as a guest house for their daughter from Massachusetts to stay in when she visited. I have converted it into a small gallery featuring local artists, and a teaching space where I teach metalsmithing and a range of other media to adults and children. I also teach a Monthly Metals class at Black Creek Arts Council in Hartsville, SC about 30 minutes away to children and adults. I have taught classes for the Cheraw Arts Commission also. In addition, I am on the SC Approved Artist Roster, and have been for over 30 years. I have done residencies in schools and communities throughout SC for over 30 years.

any sage advice for newcomers that you would like to share?
Join multiple internet jewelry groups - most folks are more than willing to share tips and how to's. Don't be afraid to ask questions - that is how you learn! If you are interested in jewelry, be sure to check out www.ganoksin.com, the world's biggest internet jewelry site. It is chock full of great information, a wonderful daily e-mail list, and very helpful links and people. Do NOT expect to make a living making jewelry right away - that will take time!

where do you envision your work going in the next year? (artistic direction) I am becoming increasingly interested in kinetic jewelry, where things are designed to move as part of the piece. I am also exploring ways to incorporate pattern and texture into more areas of a given piece, and really trying to make the backs and sides of things more visually interesting.

anything else you would like to share? (favorite techniques? any good jokes? you can even put your flickr/twitter/blog links here too) Twitter link is above.
I have a one hour blog radio interview done by Jay Whaley at http://www.blogtalkradio.com/whaleystudios
I'm also on the Artisans of the SC Cotton Trail site at

http://www.sccottontrail.org/artisans/artisans.html 

thanks Beth! great info and interview-

always a pleasure to "meet" Metalsmiths Unite members!

ciao- Maureen

Skye Milliken

Today's interview is with Skye Milliken, who is beginning to develop her body of work- Having diverse levels of experience in Metalsmiths Unite! is what makes it a dynamic community-

It's great to see how we develop as artists and the enthusiasm that we have for our craft- at all levels of making- from beginning to almost retirement, I can see the passion for this craft emanating from the responses to these questions!

Name: Skye Milliken
How would you describe what you do as an artist? I have fun! Creating something out of nothing is so liberating. Dedicating time for creativity always makes me feel more grounded.

what inspires your designs? Everything. Because I am new to this, sometimes I am just trying to hone my skills. I become more inspired by every project that I see through to the end.

how long have you been involved in this type of making? (how did you start?) I started metalsmithing last year after taking an introductory course in college. I loved it so much that I made it my major! I have just recently completed the program and continue to work on projects during studio time.

where are you located? Lakewood, CO

any advice for newcomers that you would like to share? Try to grasp the basics first. If you start with complex designs, you may become discouraged.

where do you envision your work going in the next year?  I am excited to get a workshop together and start creating a body of work. Having been so excited to share my stuff with friends, I tend to give pieces away faster than I can make them

Thank you for sharing Skye! we look forward to seeing your workshop develop!

Metalsmiths , Unite!  (ps, my favorite science teacher in High School was named Elenor Milliken- she was awesome, won teacher of the year -nationally- in '84) good memories :-)

- MBZ

Bill Roberts- Ornamental Metalsmith

Hi everyone- I hope you all had a great holiday weekend- I've found some time today to post a new interview from one of our active Metalsmiths Unite! members- Bill Roberts. He represents another angle on metalsmithing that we are thrilled to have as part of out community - mostly doing Large scale pieces- with the refinement  of a trained jeweler-

Here is his interview- Enjoy!

How would you describe what you do as an artist?
I consider myself an ornamental metalsmith. Started as a jeweler in sterling and gold......using lost wax casting for the majority of my designs. And then learned to work with other metals and to create larger decorative metal work........that I like to call "house jewelry". The house jewelry is usually functional art.. One of a Kind metal work.....furniture, lighting, gates, railings, doors, fountains, sculpture and MORE.

what inspires your designs?
I get my inspiration from many sources. But I'd have to say......my personal favs are Art Nouveau, Nature and Marine themes. They seem to keep ......coming to the forefront.

how long have you been involved in this type of making? (how did you start?)
I started this wonderful journey with metals...in the summer of 1984, by learning the jeweler's trade. In 1989, I was introduced to Site Specific One of a Kind architechural metal work........and have been doing both.......plus many other metal arts ever since.
I started...........by desiring to do something that I would LOVE to do......as opposed to just another job. Found my "creative" side......and have never looked back. Proving......."when you blur the line between work and play.......you'll never work another day". Not sure who that quotes from.......but it FITS my artistic life to a T.

where are you located?
I live and work in Ocala, Florida.
Bill Roberts-Ornamental Metalsmith
3740 NE 40th PL Suite D
Ocala, FL. 34479

do you have a website or etsy/artfire/1000market etc store? (list url here)
I do have a website:
http://www.CustomDesignMetalArts.com

and I also have an Etsy store as well......but it's barely ready for prime time. (mbz note: lol- etsy is an art unto itself...I'd be happy to give you a few pointers)

what other ways do you market your work?(shows, galleries, stores)
In the early years......I used Juried Art Shows and Galleries to market my work. Both with varying degrees of sucess. And for the large scaled metalwork........intereior designers and Contractors.
The majority of my sales these days are via the WEB and word of mouth.

do you teach? if so, where- (I’ll link this to the website of teaching institution)
I do teach, a wide variety of metal arts.......usually One on One classes at my studio. Because I'm a "working studio" ............and I LOVE teaching......I schedule my commissions around my classes. One of the wonderful things about teaching so many different processes.....is that I never know ....from one class to another.........what Process I get to play with next. It's not uncommon for me to be teaching blacksmithing one day.......and lost wax casting or jewelry fabrication the next. For a PROCESS freak....it just doesn't get any better that that. :)

any advice for newcomers that you would like to share?
I'd suggest finding what you LOVE to do.....and have a passion for. Then persue it like your life depends upon it. Take classes or find someone that is doing the type of work you like........and hire on. To get paid to learn.....is great, if you are lucky enough to find that opportunity.

where do you envision your work going in the next year? (artistic or business direction)
I see it in a serious growth phase. Both the classes and the metal work. Sky's the limit. I'm livin a dream.

anything else you would like to share? (favorite techniques? any good jokes? you can even put your flickr/twitter/blog links here too)
I LOVE to forge metal.......it makes me feel more alive......when I'm forging.......and "breathing life into an otherwise ridgid material". Not metal..........but I've also found a passion for working with HOT GLASS recently. The similarities of manipulating hot glass and forging metal.......seem addictive.....and familiar.

Thanks Bill! looking forward to seeing more of your work this year!

James Miller- London Goldsmith extraordinaire

Today I have the pleasure of posting this interview with James Miller- He is a master of piercing and hand craftsmanship-  Museum quality craftsmanship ! The images of his work speak for themselves.
 

 
James Miller FIPG ( Fellow of the Institute of Professional Goldsmiths).

How would you describe what you do as an artist?
I am a traditionally trained bench working goldsmith, I served an official Goldsmith's Hall, indentured apprenticeship at a major London Goldsmiths and Silversmiths company in London, England. The term of my probationary period and apprenticeship lasted nearly six years and finished on my 21st birthday.

what inspires your designs?
The style of Karl Faberge and the Art nouveau period.

how long have you been involved in this type of making?
Including my apprenticeship a total of 48 years.

where are you located?
London, England.

do you have a website ?
No website, my work has mainly been sold through Asprey, Garrard and Kutchinsky, both in London and New York.

what other ways do you market your work?
Most of my work has been commissions from designs, by myself and others.

do you teach? if so, where-
I do not teach, in the UK teachers need qualifications from a recognised college. I have never attended a college as I learned my trade from the workshop.

any advice for newcomers that you would like to share?
Learn and perfect the basics such as engraving, saw piercing, filing and hammering. All else will follow naturally.

where do you envision your work going in the next year? (artistic or business direction)
I am close to retirement at the age of 63. I have compiled a book of my unique items of manufacture, which has now been published and available worldwide on Amazon. It is titled "The Work of a Master Goldsmith;A Unique Collection" .

anything else you would like to share? (favorite techniques? any good jokes? you can even put your flickr/twitter/blog links here too)
I enjoy sharing any information that may be useful to learners in my trade, mainly on the Ganoksin Orchid forum.

Thanks Jim for contributing your interview- It's great to be able to get to know you and your work through Metalsmiths Unite!, Ganoksin and Facebook

ciao-Maureen BZ

Harriete Estel Berman -

Hi everyone-

today I'd like to publish the interview with Harriete Estel Berman- She is an inspiration to me personally with her incredible craftsmanship and design aesthetic as well as her amazing commitment and generosity in teaching the business of our craft- Anyone interested in upping their business skills would do themselves a favor by enrolling in what I call"the Berman school"- Harriete's Blog on business practices for craftspeople "ask Harriete"

here is her interview- enjoy!

Harriete Estel Berman

How would you describe what you do as an artist?
ANSWER: I construct everything from jewelry to large sculpture with recycled materials. And all of my work includes social commentary about our material culture and consumer society.

what inspires your designs? ANSWER: I am inspired by the recycled materials and the thought-provoking commentary on advertising and social issues. This is a study and examination of our material culture.

how long have you been involved in this type of making? (how did you start?)
ANSWER: I’ve been making exhibition quality work since 1980. I started with an undergraduate degree in metals in 1974 from Syracuse University and received a graduate degree from Tyler School of Art in 1980.

where are you located?ANSWER: I live in San Mateo, California near San Francisco, but originally I was from Harrisburg, Pennsylvania.

do you have a website or etsy/artfire/1000market etc store? (list url here)
ANSWER:
MY WEBSITE:  http://www.harriete-estel-berman.info/home.html
Etsy http://www.harrieteestelberman.etsy.com


what other ways do you market your work?(shows, galleries, stores)
ANSWER: In addition to the shows and exhibitions that include my work, I also participate on Crafthaus and other social networking sites. I love all the opportunities presented on line such as with Facebook,and Flickr to reach out to a new audience.

This is all in addition to the work on the Professional Guidelines, [ http://www.harriete-estel-berman.info/profguidelines/profguide.html ]
a column that I write for the local Metal Arts Guild, my blog (ASK Harriete), [http://www.askharriete.typepad.com] and the Professional Development Seminar at the SNAG Conferences.

do you teach? if so, where-  ANSWER: Occasionally I lecture and give workshops on professional development for artists and craftspeople. The only teaching that I do is as an Artist Mentor one on one.

My blog, ASK Harriete, offers free professional and business advice to the Arts and Crafts community. Check it out at: http://www.askharriete.typepad.com

any advice for newcomers that you would like to share?
ANSWER: Be prepared, work hard, share with your community (e.g. “pay it forward”) and make the work that is at your core…not what you think people will buy.

where do you envision your work going in the next year? (artistic or business direction)
ANSWER: I am completing the California Collection [ http://www.harriete-estel-berman.info/jewelry/imagesNEW/ca.html] which I have been working on for two years.
Also I plan to finish a ton of other half-completed projects….which might take about six months. Your readers will see all my new work as I publish it on my web site, Facebook, Crafthaus and Flickr. Then I am diving deep into an entirely NEW gigantic project for a major Judaica piece.

anything else you would like to share? ANSWER: Stay tuned for publicity about the upcoming Professional Development Seminar in Houston (March 2010). I will also be doing Portfolio Reviews at the SNAG Conference (the Portfolio Reviews at the Conference are free).

(favorite techniques? any good jokes? you can even put your flickr/twitter/blog links here too)
ANSWER: People can also see more work or connect with me on these sites. I look forward to getting to know all of you on line.

Twitter http://twitter.com/harrietee
Objectfetish http://www.objectfetish.com/jewelry/harriete-berman-v-52.html
Crafthaus http://crafthaus.ning.com/profile/HarrieteEstelBerman
Flickr http://www.flickr.com/photos/harriete-estel-berman/
Facebook http://www.facebook.com/harriete.estel.berman
LinkedIn http://www.linkedin.com/in/harrieteestelberman


Thanks Harriete! it's been great to get to know you- ciao-M

you might be a metalsmith if....

this is from a post I had on my profile a couple of days ago....

feel free to chime in your answers in the comments section! 

You may be a Metalsmith if..........

Maureen Brusa Zappellini

you kind of like the smell of liver of sulfur

Carolyn Shepard Miller

you have dreams of flaring out a spinner ring

you picture your lungs and brain coated with silver and gold

Maureen Brusa Zappellini

the nastier your fingers look the happier you are (cause it means you have had bench time)

Carolyn Shepard Miller

a little bit of drill dust is mighty tasty on the sammich!

Beverly Gloyd

you could envision spending every penny on tools and metal!

Pam Chott

You have a drill "tattoo" on at least one finger.
Your husband (or wife) suspects you're having an affair with your bench.
You'd rather shop for stones than clothes.

Shannon Conrad

The smell of machine oil is a turn on.
You can't remember what your hands looked like with fingernails.
You've ever said, "Just one more {fill in the blank} and I'll be done for the day."

Erkki Kokko

...if you #%@&¤#@% like a pirate, when you break the sawblade just when you are almost there, on the end of piercing...

Bill Roberts

lol.... if a lady with a hammer turns you on.. ;)

Erkki Kokko

...the scrapyards dog won't bark at YOU!

Maureen Brusa Zappellini

you have a difficult time putting a negative connotation on the word "tool"

Tamra Gentry

you'll sell a kidney for the perfect stone.

Maureen Brusa Zappellini

or...you'd set your kidney stones! lol

Daniel Spirer

you ask your wife to send your body to the refiner when you die...

because you know there's some value in there.

Victoria Lansford

If when you have money you by metal and stones and if there is any leftover you buy food and clothes.

any more? :-)

happy thanksgiving!- MBZ

Michael David Sturlin- AZ treasure

Metalsmiths Unite
Blog Interview with Michael David Sturlin 11/17/2009

How would you describe what you do as an artist?
I'm a goldsmith and studio jewelry artist. I work with precious metals and gemstones.

what inspires your designs?
Minimalism, practicality, functionality. My design aesthetic tends towards simplicity.
My basic inspiration comes from combining skill with tool and fluency with material.

how long have you been involved in this type of making? (how did you start?)
Nearly 40 years, professionally for 35 years, I started making jewelry in 1970.

where are you located?( email if you want to share, or city/town that you live in)
I have a private studio in Scottsdale Arizona. My email address is michaelsturlinstudio@cox.net

do you have a website or etsy/artfire/1000market etc store? (list url here)
http://www.goldcrochet.com
http://www.michaeldavidsturlin.com
http://michaelsturlinstudio.ganoksin.com/blogs/
http://www.facebook.com/MichaelSturlinStudio

what other ways do you market your work?(shows, galleries, brick and mortar stores)
My jewelry is represented in galleries. I don't currently sell work online.

do you teach? if so, where-
I'm a faculty member at the Revere Academy of Jewelry Arts in San Francisco http://www.revereacademy.com
At this point in my career I am devoting the majority of my time to teaching. I work with students at all levels from beginners to accomplished professionals.
I also offer private instruction and group workshops in my studio and I teach extensively as a visiting guest artist.

any sage advice for newcomers that you would like to share?
Focus on skill development. Start by working with simple tools and traditional techniques. This is the most useful foundation for building the vocabulary to produce work which will bring forth a recognizable style and develop into an artistic identity. Skill comes first, then, as fluency increases, individuality in expression follows.

where do you envision your work going in the next year? (artistic direction)
I will be teaching more advanced intensive workshops and longer programs at fewer venues. This will provide the opportunity to work with the participants at a deeper level.

anything else you would like to share?

Wherever a person works, it is important to think of that space as a studio. Whether it is just a kitchen table with a couple tools, a closet, a corner in a basement, or a well furnished room, the attitude and perspective of the practitioner is more important than the physicality of the environment. Thinking of the work area as a studio sets the right frame of mind and cultivates the intention to produce good work, regardless of how limited the facilities might be.

 *********************************************************************************

Many thanks to Michael David Sturlin for taking the time to give us a glimpse into his work and teachings- It has been a real pleasure to get to know him through Metalsmiths Unite and our mutual Arizona connections- I look forward to many more opportunities to converse and hope to see him here in Tucson during the Gem show! 

Ciao----MBZ

Julie Sanford - support admin and BAMB!

Today I will post the interview with Julie Sanford, who has been a big support to Metalsmiths Unite in our year and a half of being a bonified group.  It has been a delight to get to know her and we both have enjoyed getting Helsinki black licorice...(thanks Erkki)

so, here she is, Julie Sanford, BAMB! (Bad Ass Metals Babe) :-)

How would you describe what you do as an artist?
-I fabricate fine art jewelry.

what inspires your designs?
Incredible things I see in nature, unique gemstones, great art and design.

how long have you been involved in this type of making? -Professionally 20 years but I was raised by a very creative single mother and we were always doing some kind of craft. We even had a ceramic shop in the basement.

where are you located?( email if you want to share, or city/town that you live in)
-The studio is in Grand Haven, Michigan

do you have a website or etsy/artfire/1000market etc store? (list url here)
-  http://www.juliesanforddesigns.com

what other ways do you market your work?(shows, galleries, b+m stores)
-I show in about 10 outdoor fine art shows a year and am also represented at a museum shop, jewelry store and several art galleries.

do you teach? if so, where- (I’ll link this to the website of teaching institution)
-I teach at my studio in Grand Haven and will be at Bead Fest Wire, the Bead & Button Show and Bead Fest Philadelphia in 2010.

any sage advice for newcomers that you would like to share?
-Value your work, be inspired by other artists, express yourself freely and don't let fear paralyze your growth as an artist or in your career.

where do you envision your work going in the next year? (artistic direction)
-I did some new, complex, multi-part pieces for a gallery show this fall where I used the imagery in jasper interpret the design. It was exciting, fun and I will be doing more of that.

anything else you would like to share? (favorite techniques? any good jokes? you can even put your flickr/twitter/blog links here too)
-My favorite technique is soldering when I am all alone in the studio, the sun filtering in, music on, talking/laughing out loud at myself. To anyone outside looking in I'm a complete NUT, but for me.. Life's a Bench! 

LOL, thanks Julie! Next, I will begin interviewing members of the group- stay tuned! (and Happy 'smithing!)- M 

introductions are at hand- Maureen BZ

With apologies to those who are sick of hearing me blab about myself, I thought it would be a good idea to start the Metalsmiths Unite! interviews at the beginning- with my interview-

Maureen Brusa Zappellini

(Metalsmiths Unite! founder)

How would you describe what you do as an artist?  I’m a metalsmith who is obsessed with metalsmithing. I’m passionate about Craft and the creative process. My work reflects my origins as a painter/sculptor by the use of color structure shape and texture in my work.

what inspires your designs? relationships between objects, architectural structures (both historic and contemporary), decay, natural textures, collections of repetitive objects (stone walls, stacks of timber, staircases), place, juxtaposition.

how long have you been involved in this type of making? (how did you start?)
I started Metalsmithing in 1986, during summers home from Art school (School of the Museum of Fine Arts, Boston) - I was lucky enough to have had someone who was willing to apprentice me for 2 summers and take me from a complete novice to a competent basic silversmith.(both in Ogonquit Maine and Portsmouth NH)

where are you located?
Tucson Arizona- land of giant Gem shows!

do you have a website or etsy/artfire/1000market etc store?
yes, http://cosmosmoon.etsy.com ,  http://mbzap.etsy.com  (that one is for my older pieces) and http://cosmosmoonjewelry.artfire.com  (I opened an artfire account just to have a bit more exposure, plus it is a local Tucson company) I also have a "fan page" for Cosmo's moon http://www.facebook.com/cosmosmoon?ref=ts

what other ways do you market your work?
 I have my work in some galleries and also a couple of boutiques . I am just starting to participate in local retail shows and events. Trying a little bit of everything now, and still trying to find the perfect combination! I'm always looking for new venues for my work-

do you teach? if so, where-  I do love to teach, but am not currently holding classes- Previously I have taught in Florence Italy at Metallo Nobile (for a short while) and Fuji studio (as a TA) . I also have taught for Tucson Parks and Rec program , but had to stop because of scheduling issues. I am currently developing a couple of workshops that I hope to begin teaching in 2010.

any sage advice for newcomers that you would like to share? Sure, for the newbies, I advise you to just roll up your sleeves and play! Find out the limitations of your material, and don’t get too stuck on producing a finished product. And if you have trouble with a piece put it down and stop working on it for at least 24 hours...sometimes a little distance is all it takes to give you the perspective you need.

where do you envision your work going in the next year? Having recently given notice at my day job, I’m excited about becoming more independent this year. I will use the extra time to finish developing my pewter urns and also revisiting my mixed metals and strap bracelet line.

anything else you would like to share? It has been truly amazing watching Metalsmiths Unite grow this past year- I’m looking forward to seeing our community develop in the future, and I hope to be able to meet with some of you this year at one of the metals events that I plan on attending ...the Tucson Gem show, Yuma Symposium, and hopefully I will be able to attend the SNAG  conference this year as well. Metalsmiths Unite!

Coming up- Interviews with Erkki Kokko (Metalsmiths Unite! officer and Finnish metals madman)
Julie Sanford, (Metalsmiths Unite support admin.)

Once these "Official" interviews are completed I will be interviewing members of the Metalsmiths Unite community- I'm sure that there are many interesting stories out there, and I look forward to reading each interview!

ciao for now! Happy 'smithing- Maureen BZ

Gifts for the Metalsmith

As holidays are coming up, I have been thinking about gifts.

Every year my husband struggles to figure out what he wants to get me for a gift-
he is baffled, as I really do not need anything traditionally girly..
and he knows what kind of reaction he would get if
he hung up his brain and went to Kay Jewelers
to get me a (yikes) heart solitaire locket
or some other commercial crapola..

Metalsmiths have lots of hammers, so you can guess what the
outcome would be...something would get ...forged. :-)

So I was thinking of helping all of our significant others, giving them a sort of master list to look at for Metalsmith Gifts... and I'd love to have your input! I'll gather a list of our wishes, and post them on this blog later in December- (and I'll announce it on the Metalsmiths Unite! facebook page)
Both practical things like tools / books and ideological things like world peace are welcome on this list

I'll give it a start-

1. world peace/ the end of hunger
2. really good hand cream
   
3. a cool apron for the shop
4. a bench mounted band saw
5. a coupon for 100 solitary hours at my bench

I could go on and on...but I'll let You have your turn- to add to the wish list simply leave a comment on this blog, or if you want to do it privately you can message me on Facebook and I'll cut and paste it (anonymously) to the master list.
then..
I will publish the list in December- and will announce it on our Facebook page-
Have fun with this,( I look forward to seeing the end result.)
happy 'smithing everyone!
ciao- Maureen BZ

 

Phase 2...the BLOG

Hello my Metalsmithing friends!

I had an a-ha moment today as I was driving to work...I thought, "well, why don't I just start a blog for metalsmiths Unite!? " and then I immediately thought, "Why haven't I thought of this sooner?!!"

So here we go, into what I will now consider phase 2 of metalsmiths Unite- (not like any of this has been planned..) what I would like to do with this blog is have it here for

1. interviews of Metalsmiths Unite! members
2. MU member's reviews of books/shows/events about metalsmithing
3. plus links to each other's blogs.

this project will certainly take some time to develop , but I think it is a good solution to dealing with the limitations of Facebook, therefore giving MU members a more developed and flexible forum to elaborate on discussions and introduce their work to the community.

within the next weeks I will be developing a blog post schedule- and will be introducing myself (who you already know) and the other support people that have helped me during the year and a half of Metalsmiths Unite's growth.

I'm really excited about the possibilities for this blog- and hope you are too-
please excuse the mess while I'm doing construction....I'll be careful not to make too much noise
:-)
Happy 'Smithing!
ciao-Maureen